https://www.anilacy.com/ani-lacy daily 1.0 2026-01-10 https://images.squarespace-cdn.com/content/v1/693fd028441f6a14fb29f64d/4fbf4566-e99e-4b88-bb0f-6716015f3c26/Ani+Lacy+Artist+Within+Our+Gates.jpg https://www.anilacy.com/art daily 0.75 2026-04-01 https://images.squarespace-cdn.com/content/v1/693fd028441f6a14fb29f64d/c4d131cc-ce05-4050-b52b-128154e03fd3/6E1FE24A-C425-4962-ACA1-18FAA441E106.jpeg https://www.anilacy.com/art-history daily 0.75 2026-01-05 https://images.squarespace-cdn.com/content/v1/693fd028441f6a14fb29f64d/d521c55a-ddec-4c70-9867-b4eafeea86e1/100_1509.jpeg Art History Hand-built earthenware vessel replicating an early Black Atlantic colonoware form. Made from wild clay and low-fired, the pot features a rounded body, restricted neck, and subtle surface variation resulting from coil construction and burnishing. https://images.squarespace-cdn.com/content/v1/693fd028441f6a14fb29f64d/a455b281-112f-4f94-a6bc-8cd88a32bd35/100_1515.jpeg Art History The surface bears traces of hand compression and burnishing, with uneven tonal shifts produced through open firing. https://images.squarespace-cdn.com/content/v1/693fd028441f6a14fb29f64d/b4d4ee41-3259-48fc-842c-3932453c0f24/100_1504.jpeg Art History Constructed through hand-building and low-temperature firing, the pot reflects historical techniques associated with enslaved African and Indigenous ceramic practices. https://images.squarespace-cdn.com/content/v1/693fd028441f6a14fb29f64d/6724a882-22f7-4a85-a2dc-2047821c0c97/100_1502.jpeg Art History The form and firing process explore historical continuities in Black Atlantic ceramic production. This pot was constructed and fired in 2025 during a material research residency at Casa Julfa in Montmorillon, France.